This Pic of the Week is also the first in a series of educational series on the anatomy of bridge types. For each bridge, there will be some terminologies involving bridge parts where you have to find and identify them. These words you will find in a box below.
Our first bridge type for the matching activity: The Truss Bridge. Match the bridge terms with the ones you find in the picture above. Also find the parts that do NOT appear in this picture. Good luck!
As for the bridge photo, this was taken at the Henry Bridge in Winneshiek County, Iowa in 2009. The bridge spans the Upper Iowa River on Scenic River Road northwest of Decorah and represents an example of a truss bridge that was built by the Clinton Bridge and Iron Works Company. It was one of two primary bridge builders in Winneshiek County during the age of truss bridge building between 1870 and 1920. The 1911 structure has a total length of 121 feet, has an A-frame portal bracing and pinned connections. Closed since 2016, plans are in the making to either rehabilitate the bridge to reopen for light traffic or repurpose it for bike and pedestrian use. And it’s a practical and sensible idea too, for the high bluffs of the river present an excellent backdrop for the bridge and provides an exclusive photo opportunity, especially as there is parking nearby. In fact, from various angles, even from the bluffs, one can get a great photo opportunity of this unique historic bridge. My photo formed the basis of an educational exercise like this one, where people of all ages and with a keen interest on bridges and history can take part.
In 2011 at the Historic Bridge Convention in Missouri, I had a chance to meet Clark Vance in person and found him to be open-minded in many aspects, but having knowledge that is enriched for historic bridges, and other artefacts. Mr. Vance just recently retired from his position as high school teacher, but has been a key contributor of historic bridges for bridgehunter.com for as long as the website has existed, providing readers with photos and interesting facts on historic bridges, mainly in the Midwestern part of the US, centering around the states of Kansas and Missouri. Because of his contributions to historic bridges- as a photographer, historian and sometimes consultant- Mr. Vance won the Ammann Awards for Lifetime Achievement in 2018.
I had a chance to interview him recently about his interests in the topic and found some more interesting facts about him, how his interest in historic bridges first started and some words of advice for those who are working in the field of historic bridges, in terms of photography and preservation. This is what I learned from him, as you read the interview:
Tell us more about yourself in terms of professional and private life.
I recently retired from 11 years of teaching engineering, math, and software engineering to high school students. I previously worked in IT and automotive technology. I still enjoy working with and driving my (too many) cars and motorcycles. My wife is a psychologist in private practice and her daughter is a professor at an art and design school. I highly recommend being retired.
What got you interested in historic bridges?
My father was a civil engineer with the Kansas Highway Department in the late ‘40s before going to work as a structural engineer in private industry. He didn’t mind my gazillion “What’s that?” questions as a kid and actually had the knowledge to answer a lot of them, particularly about man made artifacts in the natural environment. My curiosity about infrastructure was rewarded with good explanations of whatever odd item caught my attention. Some of my best times as a kid were when he and I would visit road construction sites and he would answer all my questions then add information about things I hadn’t noticed.
You do mostly bridge photography, right? Or do you write or talk about them?
My main public activity surrounding bridges is as a contributor to BridgeHunter.com. I’ve enjoyed old maps as a way to see into the past and discover things that are unused and forgotten. My enjoyment of driving back roads and hiking fit with this, and BridgeHunter gave me an excuse to photograph the things I found. I don’t consider myself a bridge expert or historian and I try to avoid spending too much time talking with others about bridges lest they consider me odd(er).
Do you teach historic bridges in school? If so, how?
I didn’t get a chance to teach the second year class where we taught truss analysis, so my role as an educator was mostly as an informal consultant for the students working on entries to bridge building competitions. I taught an intro civil class where I got to cover infrastructure and of course I exposed my students to a lot of structural history using bridges. I hope they came to appreciate the significance of structures that their later instructors will possibly dismiss as obsolete.
What kind of historic bridges do you look for?
Although I enjoy simply documenting older existing structures, my greatest enjoyment comes from locating and documenting bridges that have been forgotten. Most of the time there is little left physically but I like to record the location and identify any visible remnants. Kansas City still has places where one can see the paths worn by the wagons heading out on the Santa Fe Trail. For whatever reason, I feel it’s important for people to remember the paths used in the past.
A historic bridge in your opinion is…….
Defining what constitutes an historic bridge is similar to identifying an historic car. Anything old enough is worth preserving, and the more important it was when new, the more significant when old. Even the plainest, cheapest Model T should not be scrapped if it’s possible to preserve it. A Cadillac V-16 is obviously more rare and more worthy of preservation. From the perspective of the people trying to use objects in the economy, is would be foolish and wasteful to try to run a fleet of Model T taxis and it’s equally foolish to expect a tall, narrow pony truss to carry a combine or loaded grain trailer. It’s fun to drive old cars across the Chain of Rocks bridge but trying to keep it as part of the interstate system makes no sense.
What is your favorite historic bridge?
Picking favorites is difficult. Friends and I would walk out on the Chain of Rocks bridge not long after it closed. I haven’t been back since it got cleaned up but I imagine it’s still pretty spectacular. As a kid my family would visit relatives in southeast Kansas and I have a long standing love for the Marsh arches. I also enjoyed driving the old Flagler railroad bridges linking the Florida Keys back in the ‘70s.
What historic bridge(s) do you miss the most?
Probably the bridges I miss most are: The Chouteau Bridge in KC. Totally obsolete and awful for trucks and cars alike, it was nonetheless an important bridge when built and quite impressive an an old, still functioning work. The ASB automobile lanes were narrow and had a reputation for fatal accidents where the lanes split to go around the trusses. For better or worse, one could have a close look at the structure and mechanism while driving by. More generally, I miss the many through trusses that were everywhere when I began traveling and which have almost all been replaced by much more efficient boring bridges guaranteed to keep concrete plants busy repairing and replacing them.
What words of advice do you have for the following:
Photographing Historic Bridges: Get the big picture and the little details. Show the setting and what one would see driving by or passing under. Also, catch the details that can help identify the builder, date, and other parts of the history.
Teaching about Historic Bridges: I wish I had more knowledge about this. I found that I could engage students by providing some of the history behind modern concepts. Bridges played an important role in the development of engineering as a field, so I tried to cover bridge technology in discussions about changes brought about by developments in material science, structural analysis methods, etc.
Preserving Historic Bridges: Two things strike me as most important, public support and technical skills. Right now old bridges are in a place similar to steam locomotives in the ‘50s. They are being phased out and replaced by products deemed superior by policy makers. I don’t think there is much hope of their remaining in common use. The focus needs to be on finding ways to save them from being scrapped and preserving the knowledge needed to put them back in limited use when more of the public has the desire to experience the old technology. Each one lost will make the remaining ones more valuable and more likely to be saved.
Thank you for your time, Clark and wishing you all the best in your endeavors. J
The next question is who will win the now rebranded Bridgehunter Awards in the category Lifetime Achievement? If you haven’t voted yet, click here and you will be directed to the ballot. Deadline is January 10th and the winner will be announced two days later.
Note: Photos posted but not cited here are all courtesy of Clark Vance.
Finally, after the last minute push for nominations, combined with all the registrations being added, the 2018 Ammann Awards voting Ballot is now here. Between now and 7th January, you have a chance to vote for your favorite bridges in each of the categories below. As in the past, there is no limit in the number of votes you can submit per category. Yet a couple minor items to keep in mind:
In the categories of Best Example of a Restored Historic Bridge, Mystery Bridge and Best Bridge Photo, only the photos with little information is available. This way, voters can have a look at the photos more carefully before voting. Especially in the Restored Historic Bridge, the voter should have a closer look at what was done with each bridge and decide what was done with it. All the information will be revealed when the winners are announced in January.
Before you vote, you can look at the Information for each of the candidates and click on the links for more Details. For all except the category Best Bridge Photo, you can find the Information by clicking onto this link here.
In case of questions on the voting process or any issues that come about, please contact Jason Smith at the Chronicles at the following address: email@example.com. The polls will Close on 7th January at 11:59pm Chicago time, which means 6:59am Berlin time on 8th January.
Good luck and may the voting begin! 😀 We have a bumper crop this time around!
The discussion about the preservation and reuse of historic places has existed since the 1950s, thanks to the preservation laws that have been in place. The German Preservation Laws were passed in 1958, whereas the Historic Preservation Laws that established the National Park Service and National Register of Historic Places in the USA were enacted in 1966. Both serve the lone purpose of identifying and designating places unique to the cultural identity and history of their respective countries. Furthermore, these places are protected from any sort of modernization that would otherwise alter or destroy the structure in its original form. Protected places often receive tax credits, grants and other amenities that are normally and often not granted if it is not protected or even nominated for listing as a historic site. This applies to not only buildings and bridges but also to roadways and highways, windmills, towers of any sorts, forts and castles, citadels and educational institutions and even memorials commemorating important events.
Dedicating and designating sites often receive mixed reactions, from overwhelming joy because they can better enjoy the sites and educate the younger generations, to disgruntlement because they want to relieve themselves of a potential liability.
Since working with a preservation group in western Saxony on saving the Bockau Arch Bridge, a seven-span stone arch bridge that spans the Zwickau Mulde between Bockau and Zschorlau, six kilometers southwest of Aue, the theme involving this structure has been ownership. The bridge has been closed to all traffic since August 2017 while a replacement is being built on a new alignment. Once the new bridge opens, the 150-year old structure will come down unless someone is willing to step in and take over ownership and the responsibilities involved. . Taking the structure means paying for its maintenance and assuming all responsibility for anything that could potentially happen. And this is the key here: Ownership.
Who wants to own a piece of history? To examine this, let’s look at a basic example of a commodity where two thirds of the world’s population wear on a regular basis- the author included as well: glasses.
Ever since Marco Polo’s invention, glasses have been improved, innovated and modernized to not only make the person look great in appearance. It also helps them to better see the environment surrounding them, regardless of whether they are near-sighted or far sighted, have astigmatism or require bi-focals to read, or if they want protect their eyes from the sun in the form of shades. Glasses can be plastic or metal (or even both). And like the historic structures, the materials can be recycled if no one wants them. Yet by the same token, many of us love to keep them for the purpose of memories or give them away to those who need them. For over 30 years, I have worn nine pairs of glasses and two pairs of sunglasses; this does not count the eight years that I primarily wore contact lenses, which was during my time in high school and college. Like our historic structures, glasses have a life span. They are worn until the frames develop rust and corrosion, the vision changes or they are broken.
In some cases, many look for a new frames because they want to “look cool” in front of their peers. The “look cool” mentality has overtaken society to a point where it can be applicable to about everything: cars, clothing, houses and especially historic places and structures of interest. Basically, people just ignore the significance of these structures and things that had been built in the past, which hold memories, contribute to the development of a country, region or even community, or are simply fashionable. Still in spite of all this, one has to do something about the glasses, just as much one has to do something about the historic building.
So let’s take these two pairs of sunglasses, for example. Like in the picture above, the top one I was prescribed by an optometrist in 2005; the bottom one most recently in June 2018. The top one is a combination of plastic and steel- the temples, ends and hinges are made of steel; the eye wires are plastic. The lenses are made with Carl Zeiss branded glass with a sealcoat covering to protect it from scratches. The bottom ones are plastic- frames, temples and nosepiece; the lenses are plastic but with a sealcoat protectant and dimmers to protect the eyes from the sun. The brand name is generic- no name. The difference is that the changes in the eyes required new sunglasses for the purpose of driving or doing work outside. As I wear the new sunglasses, which are not as high quality but is “cool,” according to standards, the question is what to do with the old sunglasses?
There are enough options to go around, even if the sunglasses are not considered significant. One can keep the old pair for memory purposes. Good if you have enough space for them. One can give them away to someone who needs them. If they are non-prescription lenses, that is much easier than those with a prescription. With the prescription lenses, one will need to remove them from the frame before giving them away. Then there is the option of handing them into the glasses provider, who takes the pair apart and allows for the materials to be recycled. More likely one will return the old pair to the provider to be recycled and reused than it would be to give them away because of the factors of age, quality of the materials and glass parts and especially the questions with the lenses themselves. One can keep the pair, but it would be the same as leaving them out of sight and out of mind.
And this mentality can be implemented to any historic structure. People strive for cooler, more modern buildings, infrastructure or the like, but do not pay attention to the significance of the structure they are replacing in terms of learning about the past and figuring its reuse in the future. While some of these “oldtimers “ are eventually vacated and abandoned, most of them are eventually torn down with the materials being reused for other purposes; parts of sentimental values, such as finials, statues and plaques, are donated to museums and other associations to be put on display.
One of examples that comes to mind when looking at this mentality are the bridges of Minnehaha County in South Dakota. The most populous county in the state whose county seat is Sioux Falls (also the largest city in the state), the county used to have dozens of historic truss bridges that served rail and automobile traffic. As of present, 30 known truss bridges exists in the county, down from 43 in 1990, and half as many as in 1980. At least six of them are abandoned awaiting reuse. This includes a rails-to-road bridge that was replaced in 1997 but has been sitting alongside a gravel road just outside Dell Rapids ever since. A big highlight came with the fall of five truss bridges between Dell Rapids and Crooks in 2012, which included three through truss spans- two of which had crossed the Big Sioux. All three were eligible for the National Register. The reasons behind the removal were simple: Abandoned for too long and liability was too much to handle
This leads me to my last point on the glasses principle: what if the structures are protected by law, listed as a historic monument? Let’s look at the glasses principle again to answer that question. Imagine you have a couple sets of glasses you don’t want to part ways with, even as you clean your room or flat. What do you do with them? In the case of my old sunglasses, the answer is simple- I keep them for one can reuse them for other purposes. Even if I allow my own daughter to use them for decorating dolls or giant teddy bears, or even for artwork, the old pair is mine, if and only if I want to keep them and allow for use by someone else under my care. The only way I would not keep the old sunglasses is if I really want to get rid of them and no one wants them.
For historic places, this is where we have somewhat of a grey area. If you treat the historic place as if it is protected and provide great care for it, then there is a guarantee that it will remain in its original, pristine condition. The problem is if you want to get rid of it and your place is protected by law. Here you must find the right person who will take as good care of it as you do with your glasses. And that is not easy because the owner must have the financial security and the willpower just to do that. Then the person taking it over does not automatically do what he/she pleases. If protected under preservation laws you must treat it as if it is yours but it is actually not, just like renting a house. Half the places that have been torn down despite its designation as a historical site was because of the lack of ownership and their willingness to do something to their liking. Even if there are options for restoration available, if no one wants it, it has to go, even if it means taking it off the historic registry list to do that. Sometimes properties are reclaimed at the very last second, just like the old glasses, because of the need to save it. While one can easily do that with glasses, it is difficult to do that with historic places, for replacement contracts often include removal clauses for the old structure, something that is very difficult to rescind without taking the matter to court.
In reference to the project on the Bockau Arch Bridge in Germany, we are actually at that point. Despite its protection as a historic structure, its designation was taken off recently, thus allowing for the contract for the new bridge at the expense of the old structure to proceed. Yet, like with the pair of old glasses, last ditch attempts are being made to stop the process for there are possible suitors willing to take over the old structure and repurpose it for bike and pedestrian use. While neither of the communities have expressed interest, despite convincing arguments that the bridge can be maintained at a price that is 100 times less than the calculated amount, the group working to save the bridge is forming an association which will feature a network of patrons in the region, willing to chip in to own the bridge privately. Despite this, the debate on ownership and the bridge’s future lies in the hands of the state parliament because the bridge carries a federal highway, which is maintained on the state and national levels. Will it become like the old pair of glasses that is saved the last second will be decided upon later this fall.
To summarize briefly on the glasses principle, glasses and buildings each have a short lifespan because of their functionality and appearance. We tend to favor the latter more than the former and therefore, replace them with newer, more modern and stylish things to keep up with the pace. However, the older structures, just like the discarded pair of glasses, are downgraded on the scale, despite its protection under laws and ownership. When listed as a historical site, the proprietor works for and together with the government to ensure its upkeep, just like lending old glasses to someone for use, as long as the person knows he/she is “borrowing” it. When it is not listed , they are either abandoned or torn down, just like storing the glasses in the drawers or even having them recycled. However the decision is final if and only if no one wants it, and this could be a last-second thing.
We cannot plan ahead for things that need to be built, expanded or even replaced, for there may be someone with a strong backbone and staunch support who will step in the last minute to stake their claim. This applies to replacing older, historic structures with modern ones that have less taste and value. In the face of environmental issues we’re seeing globally on a daily basis, we have to use and reuse buildings and other structures to prevent the waste of materials that are becoming rarer to use, the destruction of natural habitats that may never recover but most importantly, remind the younger generations of our history and how we got this far. While some of us have little memories of our old glasses in schools with the exception of school class and party photos, almost all of us have memories of our experiences at, in, or on a historic structure that deserves to be recognized and kept for others to see. It’s just a matter of handling them, like the glasses we are wearing.
Just 12 hours after publishing the press release of Part 1 of the Ammann Award winners, there was a lot of positive feedback from our Readers, especially in the category of Best Photo, where Chauncy Neumann came out the winner in that category, followed by Esko Räntilla and lastly, Kevin Skow- just to name the top three of the top six winners of the Awards. However, just after posting the first half of the results, I contacted the winner of Lifetime Achievement Award for an interview, informing him that he had won and asking him if he would be interviewed about his work. His Response: cool as heckfire, let’s do it! 🙂 There are two reasons for Nels Raynor to be honored for this year’s Lifetime Achievement Awards. The first has to do with his many years of hard work in restoring numerous bridges, especially with his company BACH Steel, located in Michigan. There will be more on his successes when the interview is finished and posted. The second has to do with a historic bridge he restored that won an accolade this year. That will come in a bit. But looking at the results, Raynor was in a dog-eat-dog battle with silver medalist James Baughn of Bridgehunter.com throughout most of the competition until he pulled away with 245 votes to Baughn’s 105 in the waning days of the voting process. The Bronze and Tourquois medals had to be split up among three people in each standing, all of whom had at least 104 votes but the margin between third and fourth place was only a single vote. Nevertheless, the finishing results look like this:
TOUR GUIDE INTERNATIONAL:
This category was the only one in the Ammann Awards where each candidate successfully vied for first place and stayed there before being dethroned by another one. Even the bridges in a small town of Rochlitz, southeast of Leipzig, took first place honors for a few days before being outvoted by silver medalist, Winnepeg (Canada) and bronze medalist, St. Petersburg (Russia). It finished in fourth with 92 votes, five less than St. Petersburg. It also marked a first where a candidate was entered twice due to additional bridges that were added after the first run. That was with Glauchau (Saxony), Germany, which finished fifth in the 2016 Awards but because of four additional bridges, plus information from local historians and local publicity from the newspapers, it was reentered in the 2017 competition. It finished fifth, receiving the Quartzite medal, after receiving 56 votes, far outdoing Quebec City, London (UK) and Cambridge (UK). The winner of the Tour Guide International Award goes to the bridges in the Aue-Schneeberg Region in western Saxony, Germany. Featuring the bridges along the Zwickauer Mulde, Schwarzwasser and Schlema Rivers, the region, which has bridges in the cities of Aue, Schneeberg, Schlema and even Zschorlau finished with 126 votes, after lagging behind Glauchau until the second-to-last day, thus receiving the Gold medal. More Information on the bridges in the region can be found here. Here are the rest of the results:
TOUR GUIDE USA:
There are many characteristics that make this year’s winner a treat to visit. Lehigh County, Pennsylvania has a wide array of covered bridges as well as arch bridges. They include, on the one hand, the Geiger and Rex Covered Bridges- both the oldest still in use- but also the oldest stone arch bridge in Reading (built in 1824) and the Albertus Meyer Memorial Bridge in Allentown, a 1913 arch viaduct that is the longest in the county. That was probably the main reason why the majority of voters selected Lehigh County as this year’s Tour Guide winner. After tangling with Clinton County, New York, Lehigh County received the gold medal with 201 votes, 71 more than Clinton County, which received the Ore Medal with 131 votes. Silver and Bronze go to the bridges in northern West Virginia, where Marshall County finished second with 149 votes and Wheeling finished with only two votes less. Civil war-based arch bridges in Bridges to the Past in Hardin County received tourquois with 132 votes. While the Cleveland Browns Football Team are walking away from the most humiliating football Season on record with an 0-16 record, the people of Cleveland are taking pride in the city’s bridges with 131 voters checking the City in for a fifth place finish and a Quartzite Medal. Here is the final tally of the top six of 14 candidates.
BEST EXAMPLE OF A RESTORED HISTORIC BRIDGE
In perhaps the most intensive finish in the history of the Ammann Awards, the race came down to two bridges, each with its own preservation Story. The Springfield Bowstring Arch was perhaps one of the most successful bridge preservation stories on record, as crews saved the leaning 1871 iron bowstring arch bridge from disaster by dismantling it as well as rebuilding it at its new Location at a park in Conway in Faulkner County, Arkansas. For Nels Raynor and the Crew at BACH Steel, this 18-month Project, which included several volunteers, consultants and historians, was one of the shortest and most successful on record, for it usually takes 2-3 years to accomplish such a feat. But for the crew, it was the most successful Story in the company’s history and one of the best in bridge preservation history.
It had some massive competition from another bridge, located in Des Moines, Iowa, in the Green Bridge. The 1898 three-span Pratt through truss bridge was restored on site with new cassion piers and truss bridge parts as well as new decking and lighting and became a posterboy in the face of the City council’s attempts to modernize the Des Moines River crossings by replacing arch bridges with faux arches. Grand Avenue fell victim with Locust and Court Avenues coming up on their plans. With their success Story, perhaps the City will rethink the way they treat their historic structures as they have been on the onslaught by those who think newer and leaner is better. Both Green and Springfield had raced neck-on-neck, changing leads at least two dozen times in the last two weeks of the competition before Springfield finally edged the Green Bridge for Gold medal by a score of 1720 votes to the silver medalist’s 1682. Bronze went to the Ponte Pensil Sao Vicente in Santos, Brazil, with 717 votes. This category had more bowstring arch bridges in the top six than in the past, as the crossings at the Columbiana County Fairgrounds in Ohio and at Merrimack College near Boston finished in fourth and fifth respectively. The Ore Medal for sixth place goes to the Broadway Avenue Bridge in St. Peter, Minnesota, which the Minnesota River crossing garnered 366 votes. 6126 votes were recorded in this category, which was the second best behind the last category of the Awards.
BRIDGE OF THE YEAR:
With 7160 votes total for 13 candidates, the Bridge of the Year category set a new record for the highest number of votes recorded in the history of the Ammann Awards. None of the candidates received less than 200 votes each but there was a fierce competition for first place among five bridge candidates which lasted until the final four days of voting. It was then that 1800 voters selected the two-span Pennsylvania through truss bridge spanning the Chippewa River in Wisconsin, the Cobban Bridge. The 1908 product of Modern Steel Structures Company is listed on the National Register of Historic Places but its future is in peril after county officials voted to Close off the bridge to all traffic last year, deeming it unsafe. Officials want to see the bridge replaced by 2021 but locals would like to see the bridge saved and rehabilitated for reuse. There has been on ongoing debate on what to do with the bridge. Despite claims that the cost for rehabilitating the bridge is prohibitive, figures have been revealed as overexaggerating. Could the Cobban Bridge be the next Green Bridge of Des Moines? 2018 will be the decisive year for residents of Chippewa County and the state of Wisconsin as to what will become the lone truss bridge of its design in the state, let alone the last of its kind in the country.
Apart from the Cobban Bridge receiving Gold, the silver medal winner went to the Springfield Bowstring Arch Bridge with 617 votes, two thirds shy of the triple crown for BACH Steel. The duo truss bridges of Pulp Mill in Berlin, New Hampshire received the bronze with 589 votes, despite having competed with Cobban, fourth place finisher Hvita Bridge in Iceland (which received 580 votes) and the Wave in Glauchau, Germany for first place. Pilp Mill had traded leads with Cobban several times before the last rush put it out of reach by a long shot. The Wave finished tied for 10th with Green Bridge and well out of medal range. Despite being arsoned for the second time in over a decade, the Cedar Covered Bridge near Winterset, Iowa received the Quartzite and finished fifth with 435 votes, 11 votes more than the ore medal winner, the Covered Bridges of New Brunswick, Canada, the topic of discussion and many stories because of closures due to structural issues and drivers falling through the flooring. Here is the tally in detail:
And with that ends the most intensive but exciting 2017 Ammann Awards. Observing the voting process and watching people get engaged made this round as exciting as the Holiday Season itself, even though the latter was shorter than normal due to Christmas Eve falling on thr Fourth Advent which meant shorter Holiday Shopping and time for Christmas Markets. In any case, with plans of other Websites, like Bridgehunter.com planning to go international and the Chronicles providiing more coverage, including bridge tours, bridge book profiles, interviews and others, it is hoped that the 2018 Ammann Awards will be bigger and more exciting than this year.
While the author of the Chronicles picks his favorites to be published in the next article, those interested in submitting bridges, photos and more should keep in mind that nominations officially begin on October 3rd and end December 3rd. Voting will proceed right afterwards, ending on January 8th, 2019. Winners to be announced on January 12th. For details, click here and/or contact Jason D. Smith at the Chronicles if you have any questions.
For now, let’s have a look at the Author’s Choice Awards, which follows this article and I must warn you: If you are a fan of Judge Marilyn Milian of the People’s Court, you will have a blast at what she could have said to the stories that made headlines in 2017. Stay tuned! 🙂
New Olympic-Style Medal System to the Top Six Finishers
Record Number of Voter Participation
SCHNEEBERG (SAXONY), GERMANY- 2018 is here, and with it, the revealing of the winners of the 2017 Othmar H. Ammann Awards. This year’s awards ceremony is far different than in years’ past. For instance, instead of announcing the winners in nummerical order from top to bottom, the top six winners receive a medal in a combination of Olympics and Ore Mountain form. That means the top three finishers receive the typical Olympic medals, whereas 4th to 6th place finishers receive medals typical of the Ore Mountain region in Saxony in eastern Germany, the new home for this column (specifically, in Schneeberg). That means tourquoise, copper and iron ore to those respective finishers. To view the total number of candidates please click here for details, including how they finished.
This year’s awards set some impressive records that can only be bested by more participation and more awareness of the historic bridges that we have left in general. For instance, we had records smashed for the highest number of voter turnout in each of the nine categories. Furthermore, there were at least seven lead changes in each category, which was also a first. In four of the categories, there were lead changes with at least four of the candidates. In another category, each of the candidates took a shot at first place and stayed at the top for at least a week before it was dethroned in favor of another one. In summary, no leader was safe regardless of margin that was built with its second place competitor. 🙂
And with that we will take a look at the winners of the 2017 Ammann Awards, divided up into two parts so that the readers are not overwhelmed with the content. The winners of the 2017 Author’s Choice, where the author himself picks his favorites, will follow. But for now, let’s see what the voters have chosen for bridge favorites beginning with…..
This year’s Best Photo Category brought in not only double the number of candidates as last year (12 entries) but also double as many candidates that vied for first place as last year- there was a battle among three candidates for the top spot for the 2016 Awards. All six candidates finished in the top six with Chauncy Neumann bringing home the gold for his night photo of the Rock Island Railroad Bridge in Little Rock, AR., a fine example of a rail-to-trail crossing that still has its use in its second life today. His photo can be seen in the Chronicles’ facebook page as well as an avatar for the Chronicles’ twitter page. The silver medal went to Esko Räntilla for his stone arch bridge, built in the 1700s spanning a small creek in Finnland. That photo can be seen in the Chronicles’ wordpress page. Third place finisher receiving the bronze was Kevin Skow for his shot of the pony truss bridge Mill Creek in Kansas. His photo can be seen on the Chronicles’ twitter page. All of them will remain to be seen until mid-July before they become part of the header rotating page for the Chronicles’ wordpress page. The rest of the results:
BEST KEPT SECRET INDIVIDUAL BRIDGE:
This category is divided up into American and International Bridges and focuses on historic and unique bridges that receive little to no attention compared to other historic bridges, like the Golden Gate and Brooklyn Bridges in the States. In the international part of the category, we had 14 entries from three continents with four vying for the top spot. In the end, the winner of award goes to a small village north of Zeitz in Germany and this unusual bridge, the Draschwitz Truss Bridge over the White Elster River. This bridge is unique because of its v-laced top chord. The story behind it can be found here. Silver goes to the suspension bridge at Betsiboka in Madagascar, whereas Bronze goes to another unique arch bridge in Greece nominated by Inge Kanakaris-Wirtl, the Plakidas Bridge. The rest of the top six include:
In the States, we had ten entries, featuring bridges from all over the country. This included a “dead bridge”- one that has been extant for many years, yet one decided to nominate it post humously. As in the international portion, four of the ten vied for the top spot, but in the end, the Sarto Bridge, spanning the Bayou des Glaises at Big Bend, Avoyelles Parish, Louisiana came out the winner by a slim margin, outlasting the Johnson Bridge in Stillwater County (Montana) by five votes. That “dead bridge” mentioned earlier, was Sugar Island Bridge in Kankakee Illinois, came in third with 88 votes- a bronze medal well earned a century after it was converted into a pile of scrap metal. The bridge was destroyed by a tornado in 1916 and was replaced afterwards. The rest of the top six include:
Twelve bridges were entered in this category, of which three came from the States and the rest from Germany. Still, the winners of both the international and American competition were clearly decisive with the American bridge winning the all around by a wide margin. That was with the Geneva Creek Bridge in Muscatine, Iowa, a Bedstead Howe pony truss that features two spans and was relocated at an unknown time. Information on that is enclosed here. The ancient arch bridge in Erfurt won the international division but came in second in the all around. That bridge spans a small waterfall that empties into the Diversion Channel on the south end of the city in Thuringia. It may be the oldest extant structure in the city’s history. For more, click here. Not far behind was another competitor from the German state of Schleswig-Holstein, a thatched-roof covered truss bridge in St. Peter-Ording, whose unique story can be found here. The rest of the standings include:
The rest of the winners can be found in Part 2. Click here to get there. 🙂
When we think of historic bridges, we think of roadway bridges built of metal or stone, having truss, arch, suspension or beam designs, each of which has a well-documented history pertaining to the date of construction and the builders, as well as its significance to the community and infrastructure. It is rare to find history of railroad bridges that had made a different in a community…..
….that is unless you are John Marvig.
Since his 6th grade year, Marvig has been travelling the Midwestern US, photographing and documenting historic and modern railroad bridges for his website. Since its inauguration in 2011, the website has over 1200 bridges, big and small, covering eleven states and counting. The secret to the Chaska (Minnesota) native’s success as a railroad bridge photographer and writer I wanted to find out through this interview, as Marvig won the 2016 Ammann Awards for Lifetime Achievement, the youngest person to ever have received this distinction. Here are some Q&As conducted with this now sophomore at Iowa State University, majoring in Civil Engineering:
BHC:What got you interested in historic bridges; in particular, railroad bridges?
Marvig: When I was a kid, there was a bridge on I-494 in South Saint Paul known as the Wakota Bridge. That old tied arch structure always interested me, and I always took note when we drove to my grandparents farm in Wisconsin. Along the way, there were a number of other bridges I would take notice of from a young age. When I was younger, I had also wanted a model railroad. One thing led to another, and I would be taking pictures of a local railroad bridge by the fall of my 6th grade year. It grew from there, and became a full blown passion (or obsession, depending on how you look at it). Another bridge, an old railroad swing bridge located in my hometown of Chaska was always fascinating to me, since it only continued to exist in memory. Seeing the history that was lost really encouraged me to peruse my passion.
BHC:What got you interested in historic bridges; in particular, railroad bridges?
Marvig: Creating my website was an idea that was formulated in a 7th grade technology class where we learned basic coding. John Weeks runs a website with numerous bridge photos on it, which also captivated my interest. From an early and very basic website to the full blown site it is now, it has steadily grown. I have well over 1000 bridges documented, I am just waiting to get the pages created! The hardest part is coding the pages. I manually code them, instead of using a form which automatically creates the pages (similar to Bridgehunter). This allows me the flexibility to change pages to meet the needs of the specific structure or the intended audience. However, this can be very time consuming. A page I have been working on for the Eads Bridge in Saint Louis took nearly 4 hours from start to finish to create. I continue to anticipate the site growing steadily. I have a waiting list of pages to add of over 350, and that list grows often.
BHC:Your focus on your website is railroad bridges. What makes them special in comparison to highway bridges?
Marvig: Railroad bridges, in my opinion, are the pinnacle of American engineering. While highway bridges were not built to carry a heavy load, railroad bridges were constructed to carry a load of many times a typical highway bridge. This results in some bridges that are engineered to perfection. In addition, railroad companies rarely reported construction of bridges and oftentimes did weird things such as relocation of spans. This makes it a unique challenge to document and research these structures.
BHC: Many railroad companies try to repel photographers and bridgehunters from photographing RR bridges. Why is that and how did you successfully managed to do that?
Marvig: Railroad companies are afraid of the liabilities of people being on their property. I have gotten around this by using public access, asking other landowners or walking along the riverbanks to the structure. My most important goal is to stay safe and set a positive example for others.
BHC:Set a positive example- what examples?
Marvig: Two ways to look at this. The first is safety and to obey the rules. Walking on railroad property or bridges is very dangerous, and I try to use it as a last resort to get to bridges. On my site, I generally make notes of how I got to the bridge so others will hopefully follow that route. The other positive example I like to set is the strive for preservation and passion I demonstrate. I hope this spreads to others and we can see a positive turnaround in bridge preservation.
BHC:Did you have any confrontations with landowners accusing you of trespassing or other items? Many bridgehunters have dealt with this problem over the years- yours truly included on many occasions.
Marvig: I have. While I generally find that landowners are more than happy to talk to myself and my father, who often accompanies me on these trips, I have seen some people I hope not to deal with again. I would say 90% of people are nice and usually interested, and oftentimes tell their life story. I have however had instances of some real cranks. I’ve had hunters “accidentally” shoot my direction, I’ve had ladies in trailers yell at me because I’m parked on a public gravel road and I’ve had others claim a public road is theirs. However, a vast majority are some of the nicest people I’ve met; and in a few cases people I’ve kept in contact with.
BHC:Bridge historians, like Eric Delony have often mentioned of railroad companies being very hesitant re. nominating railroad bridges deemed historic on the National Register because of their historic significance. From your experience, is this the case and if so, why is that?
Marvig: This is true. One example is the Redstone Bridge in New Ulm, Minnesota. The railroad has refused to nominate the structure repeatedly, even though the state attempted to get them to. This structure is an 1880 swing span, and one of the oldest known in America. Despite this, if the railroad chooses to demolish it, nobody can do anything about it. Fortunately, the State of Minnesota has said they will not let Canadian pacific demolish the structure, and when it is abandoned it should be preserved.
BHC:Is the Redstone Bridge still in service?
Marvig: Yeah, its part of a spur to a quarry. I’m really hoping it is abandoned soon. With CP not doing well financially, I really hope that we can see a step in preservation made within the next decade
For more on the bridge, please check out the Tour Guide on the Bridges of New Ulm by clicking here. People in New Ulm as well as officials at the State Historic Preservation Office in St. Paul are interested in saving this bridge and nominate it on the National Register of Historic Places.
BHC:What can be done to convince railroad companies to nominate their bridges to the Nat. Reg. as well as restore the bridge for future use? What examples have been mentioned?
Marvig: In my opinion, the only real thing that can be done is to make it worth it for them financially. If an incentive was offered to a railroad to bypass historic bridges and preserve them, I’m quite sure they would be willing.
BHC:Which RR bridges have you been involved in which has been successfully inducted into the National Register?
Marvig: While I do not believe any of the bridges I’ve helped preserve are listed as a separate listing on the NR, the railroad bridge across Main Street in Carver, MN (about 10 minutes from home) was to be demolished in 2011, but I worked with the city to preserve it. I believe it might be listed as a contributing resource currently.
BHC:Which RR Bridges you were involved in was converted into a Rails for Trails Crossing?
Marvig: Currently, I have not had any converted to trails. However, the bridge in Carver is eventually scheduled to become a trail. In addition, I’ve been working with the Midtown Greenway in Minneapolis to preserve and convert the Short Line Bridge. The Missouri River Bridge in Bismarck is another example of a structure I am working to get preserved for this use.
BHC: Which Railroad Bridge is your all time favorite?
Marvig: It’s hard to determine what my favorite bridge is, as there are a large number of structures I love. The Redstone Bridge in New Ulm, as well as the northwestern bridge in Eau Claire are two of my favorite bridges. These were both built in 1880 and are extremely old examples of rare truss types.
BHC: If there is a person who is interested in bridge photography, what tips would you give him/her?
Marvig: As for tips for others, I would suggest starting with places you have passion for. If there is a bridge in town that you want to know more about, go take some pictures. Unique and historic bridges are going the way of the dodo bird in the United States, and photography is a form of preservation.
BHC:And what about establishing a website like you have? The last question includes the use of social media, wordpress and the question of making a magazine out of it.
Marvig: To create a website, be prepared to have a large chunk of time taken up. The initial coding is tough, and manually adding pages is a long process. Research is also essential. I think I’ve spent several hundred dollars on research since 2010, as google doesn’t provide all answers. My biggest advice though is to create your website to be expandable. Make sure it has as many features as you want. I have 1200 pages on my site currently, and I’m working on reviewing and adding new features to these pages. It’s a lot easier to correct 12 pages than 1200.
Regarding social media, that isn’t my strong point. However it is essential to be able to reach out to a new audience to educate and inform about historic bridges. When I first started doing bridges in 2009, social media was a rather new invention, and I did not invest time heavily in it. Currently, I spread my message of bridges through both Facebook, and Instagram.
BHC: Thank you for your time for this interview.
Marvig: No problem.
To learn more about his work, click onto his website here. There you can find details of every bridge he’s visited, which includes its history and dimensions, as well as the number of trains crossing it daily (for most crossings). He has updated his website regularly and therefore, it is necessary to visit the site often. Enjoy some railroad facts and figures. 🙂
This photo was taken by fellow pontist Will Truax which needs no explanation. This sign can be found at the Springfield Armory in Massachusetts, which is a National Historical Site. Albeit not a historic bridge, you can find our more about its history here. This saying applies to all historic places, inlcuding bridges, something that we seem to forget nowadays, in the age of modernization and waste.
CHIPPEWA FALLS, WISCONSIN- Imagine this situation for a second: You have an old but very unique historic bridge with a history that binds two communities together. After being built 120 years ago, it was relocated to its present site during its 20th year and remains in use until structural problems force the county to close the bridge and plan its replacement. The bridge is located near a bike trail that used to be a railroad line connecting the two communities. While the public is really attached to the bridge, the county insists on building a new bridge at its current site because the cost for even restoring the bridge is far more than just tearing it down and replacing it. Because of its history and unique design, the bridge is listed on the National Register of Historic Places, which makes funding for restoring the structure easier to achieve than it is when removing it using federal funds. Yet funding for restoring the bridge is hard to find. What do you do?
Proceed to tear the bridge down and replace it?
Get a second opinion about the cost of evaluating the bridge and find ways to fix the bridge for continued use?
Build a bridge alongside the sturcture and convert the old bridge into a pedestrian crossing?
Build a new bridge at its original site but find constructive ways to relocate the bridge or use part of the structure- especially along the bike trail?
In the case of the Cobban Bridge, a two-span Pennsylvania through truss bridge spanning the Chippewa River southwest of Cornell in western Wisconsin, the situation is very precarious, for the historic bridge, considered eligible for the National Register of Historic Places because of its history and unique design, has met the end of its useful life as a vehicular crossing. Yet costs for restoring vs. replacing the bridge have forced county officials to look at other options apart from rehabilitating the bridge in place or building a new structure alongside the old one. In other words, the bridge cannot remain in its current place and must go.
Since August 2, the bridge has been shut down to all traffic including pedestrians, and talks are underway for securing funding for the bridge’s removal in place of a new strucure. This also includes looking at options for reusing the bridge, which when looking at the drone video, it’s a real beauty:
Yet inspite of its beauty, the Cobban Bridge will most likely have to make its third move in its lifetime, unless financial support for reconstructing the bridge at its current location combined with constructing a new bridge alongside the structure is realized, not just on the government level but also from the private sector.
When the bridge was first built in 1908 by the Modern Steel Structures Company, based Waukesha, the two-span Pennsylvania through truss bridge was over the Chippewa River between the townships of Anson and Eagle Point. The bridge was christened the Yellow River Bridge even though it was located one mile north of the Yellow River itself. Replacing the iron bridge built years before, the structure had the same features as the one at its present location: it was made of steel, had pinned connections, overhead V-laced strut bracings and a three-rhombus Howe lattice portal bracings with 45° heel bracings. Ten years later, as part of the plan to construct a dam along the river near Chippewa Falls (and subsequentially inundate the crossing upstream), the bridge was relocated 15 miles downstream to cross the same river between Cornell and Jim Falls near the village of Cobban. The bridge has been in service since then- all 486.5 feet in length; each span, being identical and having a length of 241 feet.
Despite this, planning has been in the works to replace the Cobban Bridge, even though the two-span Pennsylvania through truss bridge is not only the last one of its truss type left in the state, but it is the only multiple-span bridge of its kind in the country! Inspections and estimates have revealed that restoring the bridge to be reused even for pedestrian purposes would be $13-14 million. A report presented by a well-known bridge builder, AECOM (whose regional office is based in Stevens Point in northern Wisconsin) revealed that replacing the bridge on a new alignment would cost $11 million, up from an estimated $7.2 million that was figured in March 2016. If delayed until 2025, the price would be lowered from $12.9 million to $8.6 million at the site where the bridge is located. Tearing the bridge down would cost $1.6 million. Established as a conglomerate in 1990, AECOM has its headquarters in New York but dozens of offices throughout the country as well as Europe. While its specialty is designing and building state-of-the-art buildings and modern bridges, for restoring historic bridges, its only focus has been on stone arch bridges, which included Grobler’s Bridges in South Africa and the Railroad Viaduct over the Neisse in Görlitz, at the German-Polish border. County officials and supporters of the Cobban Bridge are dissatisfied with the results provided by AECOM. Yet all parties have agreed to one thing, if the bridge is unsafe, then something has to be done about it.
Because of its design and historical integrity, the bridge is elgible for listing on the National Register of Historic Places, which means environmental and cultural impact surveys (especially those in connection with Section 106 of the Preservation Laws) are to be undertaken before any work on replacing the bridge was to commence. According to Marilyn Murphy, who has started a facebook page on Saving the Cobban Bridge and has over 2000 followers, the surveys are already underway. As the project will require federal money, state and local authorities are mandated to allow the surveys be undertaken to determine the impact of replacing the Cobban Bridge, while looking at alternatives for reusing the bridge. Several other agencies have been involved in looking for options for the bridge, including the Texas-based Historic Bridge Foundation, as well as the Chippewa County Historical Society. The key variable that is known, according to Murphy, is that the county would like to relieve themselves of legal responsibilities for the bridge and would gladly like to give the bridge to any third party member wishing to take responsibility for maintaining the structure, including its relocation.
So with the bridge available for the taking, what options are available for the Cobban Bridge?
In the interview with the Bridgehunter’s Chronicles, Murphy presented a long list of possibilities for reuse. This includes using portions of the bridge along the Old Abe Bike Trail, which runs along the Chippewa between Lake Wissota and Brunet Island State Parks, relocating one or both spans back to the original Yellow River site, using one span for a state park, or even purchasing parts of the dismantled span (boards or beams) as remembrances. However, as mentioned earlier, there is interest in keeping the two spans in its original spot- a practical and most logical choice, yet two variables are lacking: funding and expertise. Funding because it is likely that regardless of ownership- be it through the state with the Department of Natural Resources (which owns the Old Abe Bike Trail), private-public partnership or simply pure ownership- funding will need to be found mostly through private sources, including donations from companies and citizens. This would be needed to renovate the bridge to make it a viable crossing for pedestrians and cyclists and incorporate it into the bike trail. Expertise would mean looking at companies that have restored bridges like this for recreational use, and there are enough both in-state as well as out-of-state to go around. Even if the bridge is to be relocated again, these two variables are going to be key in order for the bridge to live on.
What needs to be done in order to prevent the demise of the Cobban Bridge?
We know that the bridge has been declared off limits for all traffic, including pedestrians and cyclists- at least until the environmental impact and cultural surveys are completed, which can take 6-12 months or more to complete (including alternatives for reusing the bridge both in place and elsewhere). Without that there is no federal funding that can cover 80% of the costs for the bridge. There has been a lot of public support and sentiment towards the Cobban Bridge and ways to save and reuse the structure, yet the approach of doing-nothing is not an option. This was already seen with the Wagon Wheel Bridge in Iowa, and its neglect, combined with vandalism and the lack of maintenance resulted in the “Triple GAU” consisting of arson, collapse and in the end, the removal of the remaining structure in 2016. There are a lot of ideas for reusing the bridge- be it in place or at a different location (even in segments), and the county is ready to hand over the keys that will unlock the gates that have closed off the structure since August, forcing travelers to detour to crossings at Jim Falls and Cornell. Yet, like with the Green Bridge in Des Moines, Iowa, which has been reopened since the end of last year, a group or alliance will be needed that will take over ownership and assume full responsibilities of the bridge and assure that it is safe for use. And speaking from experiences of others, the going may be tough at the beginning, but after a series of fundraisers and other events to help restore and reuse the bridge, the Cobban Bridge may have another life beyond that of horse and buggy, the Model T and lastly, the Audi.
If you would like to help restore and/or reuse the Cobban Bridge, you can visit its facebook page (here) and contact Marilyn Murphy at this address: firstname.lastname@example.org. She’s the main contact for the bridge and can also provide you with some other contact information of others involved with the project. She and her husband Jim were nice enough to provide some pics of the bridge for this article. The Chronicles will keep you posted on the latest on the Cobban Bridge and the steps that will be needed on the structure’s future, regardless of which direction it is taken.
Historic Bowstring Arch Bridge Restored after a nearly one-year project to relocate the structure to a city park. Dedication ceremony on 23 September in Conway.
CONWAY, ARKANSAS- Bridge crews and preservationists are celebrating the rebirth of one of the oldest surviving historic bridges in Arkansas. The Springfield Bowstring Arch Bridge is back in use after a record-breaking stint, which featured the disassembling, relocation, restoration and rassembling of the 1871 structure, a product of the King Bridge Company of Cleveland, Ohio, all within a span of ca. nine months! Usually, such projects last between 1-2 years, pending on the truss type, length and width and the way it should be restored. For other bridges, such as arches, suspension bridges and viaduct, it may take up to five years, pending on how it is restored. The Springfield Bridge, with its main span of 146 feet and a width of 12 feet, is one of the longest of its kind built by King that is left. However when looking back at the bridge before its relocation from the Faulkner-Conway county line to Conway City in November 2016, it presented a totally different picture- a rather sad one when looking at it through the lens of Julie Bowers of Workin Bridges and Nels Raynor of BACH Steel.
Workin’ Bridges is a non profit organization based in Grinnell, Iowa that is dedicated to historic bridge preservation, and Bach Structural and Oranmental Steel (BACH Steel) of Holt, Michigan. Six years after the completion of a study by Raynor and Bowers , the historic bridge restoration project was successfully completed. The success was due to a rare collaboration between the City of Conway, Faulkner County, and Dr. Ken Barnes of the Faulkner County Historical Society who was essential in the writing and successful grant application and petitioning the City of Conway to find a place to move the bridge. Permission to move was granted by the National Park Service for this structure that is listed on the National Register of Historic Places. A dedication to the restoration and future of this iron bowstring will be held Saturday, September 23rd at 10:00 am at Beaverfork Lake Park in Conway, Arkansas.
The iron truss was fabricated in 1871 and erected in 1874 over E. Cadron Creek between Faulkner and Conway Counties as the first and oldest highway bridge built for farm to market requirements by the Arkansas Department of Transportation. The bridge restoration was funded by City of Conway tourism dollars used for parks, Faulkner County equipment, expertise and funds for the extra crane, with the help of Metroplan which allowed the restructuring of grant funding to allow preservation to move forward.
The bridge was removed from the Cadron in November of 2016. The BACH Steel Rivet Gang went to work with the disassembly and marking the members for transportation to a paint removal company in Little Rock, managed by Snyder Environmental. Workin’ Bridges was then given the job of designing the new substructure at Lake Beaverfork, engineered by James Schiffer of Schiffer Engineering Group of Traverse City, Michigan.
Once the caissons were designed, drilled, formed and poured, and covered with riveted columns repairs to the bridge trusses began. Nels Raynor of BACH Steel is the premier bridge restoration craftsman throughout the United States that specializes in restoring bridges the old fashioned way. “In Kind” restoration means that parts are replaced with similar parts, rivets replaced with rivets and if new parts are required they are fashioned with care. When asked Raynor stated: “This one stands out as one of the most beautiful. I wish there were more people like those of Conway and Faulkner County. Those who wish to protect and save their hesitate. It’s part of my life’s work to preserve those structures. My company has been bless with finding those with the same passion inmy partners Derek and Lee Pung, Andy Hufnagel and Brock. Behind the scenes we have my daughter Heather Raynor, Nathan Holth and Jim Schiffer. We want to thank everyone for giving us the creative freedom to make this one of the most memorable and beautiful bridges we have ever been involved with.”
Jack Bell, Chief of Staff for the City of Conway, Mark Ledbetter, Director of Roads for Faulkner County, Steve Ibbotson, Director of Parks for the City of Conway and Judge Baker were the team that provided the collaborative efforts to make this a successful project. They teamed up for all of the site requirements, from building a road and crane pad to the old location on Cadron Creek, to building the roads and crane pad for the reset at Lake Beaverfork. They utilized reclaimed stone from the original abutments to sculpt the new location with retaining walls and provide a bench for viewing. Bell said, “The partnership between Workin’ Bridges, BACH Steel, Faulkner and the City of Conway was essential to bring this project to fruition. A significant piece of Faulkner County history has been saved and an iconic amenity has been added to our Parks system.”
New railings, as required by law, were designed by Raynor and company, who were able to provide historically accurate laced and riveted railing, using requirements for today’s pedestrians. The rail was then sent to Conway, where the local historical society teamed up with Workin’ Bridges to promote the “Paint the Rail” campaign. The campaign successfully contributed the funds needed to coat the rail, using a PPG product delivered by Furgerson Brothers Painting.
The restoration will be featured in a documentary filmed by Terry Strauss of Ultimate Restorations and should be available for viewing on PBS and through Amazon Prime in the fall of 2017. It will be featured in a later article provided by the Bridgehunter’s Chronicles. The project was also documented by Workin’ Bridges with the aid of Nathan Holth of HistoricBridges.org. The bridge was built by craftsmen and the record of their work, the “craftsman’s record” was evident in each cast and riveted piece in the bridge said Raynor. “To think that this all started six years ago with a site visit to Arkansas with my son Brock and Bowers with Workin’ Bridges. What this bridge has become today is just amazing to me and I have been involved with many bridge projects”.
It is a testament to the fact that we work better together, always have. The collaboration made a very big bridge project manageable, and used resources in a way that reduced time and material cost”, stated Bowers from her office in Holt, Michigan. “One never knows if a site visit that renders real numbers for project evaluation will become a job. These bridges take a lot of time, craftsmanship and money, but in the end it is all about making memories. The collaboration worked well and rendered a project that could have cost far more into an affordable package for the parks system.”
More information about the bridge, pictures from the process can be found at Springfield Bridge on Facebook. Questions may be directed to Julie Bowers at email@example.com. The Chronicles would like to congratulations to Julie, Nels and the rest of the crew for bringing a relict back to life. Thanks to you, you’ve just given people a chance to learn more about the history of Conway County, King and American infrastructure. 🙂
The Osborne County Hall of Fame Honors celebrates the Osborne County Sesquicentennial Year of 2021, marking the first 150 years of the county's existence. The "Honors" will present, recognize, and appreciate the various aspects of Osborne County, Kansas heritage and culture both past and present in a different manner than its parent organization, the Osborne County Hall of Fame. The series of lists that comprise the "Honors" will be revealed throughout the year on this site and via other social media. All Individuals already enshrined in the Osborne County Hall of Fame are excluded from the "Honors". Happy 150th Birthday, Osborne County!